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HOWARD TAIKEFF
  • Home
  • Blogs
    • Blog: Sixto Durán-Ballen
    • Blog: Miscellaneous Work
    • Blog: Street Drawings and Paintings
  • Art Works
    • Counter Monuments >
      • Dicktators
      • Boundary Violation
      • The Monument No One Asked For
      • State "Burro"crat
      • Betrayal
      • The Assassin and the Dead Ambassador
      • The Angry Arabs
      • The Shit of History
    • Public Commissions >
      • Pueblo
      • Monument San Agustin
      • Monument Hideyo Noguchi
      • Monument Lidice
      • San Ignacio
      • Jame Hurtado
      • Monument Fernando Velasco
      • Jorge Icaza
      • Manuel Muñoz
    • Private Commissions >
      • El Reto
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      • Shakespeare
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Picture
"Angry Arabs," 2018

Angry Arabs deals with the ambiguity of meaning. The work is made in the present climate of mass migration and changing demographics on the planet. There is a lot of conflict and racism against Muslims from the Middle East. The term Angry Arab is imprecise and using it can be an expression of xenophobia. But is the artist promoting xenophobic or is he conceiving a work about racism that exists in the world today?

Picture
"Angry Arabs" in the metal shop at Universidad San Francisco, Quito, Ecuador
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  • Home
  • Blogs
    • Blog: Sixto Durán-Ballen
    • Blog: Miscellaneous Work
    • Blog: Street Drawings and Paintings
  • Art Works
    • Counter Monuments >
      • Dicktators
      • Boundary Violation
      • The Monument No One Asked For
      • State "Burro"crat
      • Betrayal
      • The Assassin and the Dead Ambassador
      • The Angry Arabs
      • The Shit of History
    • Public Commissions >
      • Pueblo
      • Monument San Agustin
      • Monument Hideyo Noguchi
      • Monument Lidice
      • San Ignacio
      • Jame Hurtado
      • Monument Fernando Velasco
      • Jorge Icaza
      • Manuel Muñoz
    • Private Commissions >
      • El Reto
      • Liberal Arts, Music, Sports
      • Shakespeare
  • Resume
  • Videos
  • Contact